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Loạt Soạt
Nguyễn Đổng Chi's Classic Retelling of Vietnam's Fairy Tales, Now in English
Folklorist and anthropologist Nguyễn Đổng Chi dedicated decades to weaving a significant portion of Vietnam’s folklore tapestry. He collected, researched, and rewrote over 200 Vietnamese folktales from all corners of the country. His work, initially scattered across five volumes published individually and consecutively over 25 years, appeared as a complete anthology in 1982. Guided by a comprehensive treatise of Vietnamese folktale, Chi’s Kho tàng truyện cổ tích Việt Nam (Treasury of Vietnamese Folk Tales) might be daunting for readers drawn to Vietnamese folklore but disenchanted by rigorous academic discourse.

Loạt Soạt
Nguyễn Đổng Chi's Classic Retelling of Vietnam's Fairy Tales, Now in English
Folklorist and anthropologist Nguyễn Đổng Chi dedicated decades to weaving a significant portion of Vietnam’s folklore tapestry. He collected, researched, and rewrote over 200 Vietnamese folktales from all corners of the country. His work, initially scattered across five volumes published individually and consecutively over 25 years, appeared as a complete anthology in 1982. Guided by a comprehensive treatise of Vietnamese folktale, Chi’s Kho tàng truyện cổ tích Việt Nam (Treasury of Vietnamese Folk Tales) might be daunting for readers drawn to Vietnamese folklore but disenchanted by rigorous academic discourse.

Loạt Soạt
Cliché or Parody? Orientalist Readings of Nam Le’s ‘36 Ways of Writing a Vietnamese Poem’
One may be surprised to learn that Viet Thanh Nguyen’s Pulitzer-winning novel The Sympathizer was rejected by 13 out of 14 publishers before its eventual publication. He describes in an interview why he believes his novel was rejected by all but one publisher he submitted to: “I knew in writing the novel that I was deliberately not doing what I was supposed to do as an Asian American writer, which is [...that] you have to end on a note of Americanization. You have to end on an embrace of the American dream, explicitly or implicitly. And the novel does not do that.” He comments elsewhere along similar lines, “I refuse[d] to subscribe to dominant American narratives and mythologies that allow someone like me a very narrow space to speak.”

Loạt Soạt
'Making a Whore' Is Both Less and More Revealing Than Its Reputation Suggests
For the first time, Vũ Trọng Phụng’s novel Làm đĩ is available in English. Originally published in 1936, the novel has been translated by Đinh Ngọc Mai under the title Making a Whore and was released last year by Major Books, an independent publishing house dedicated to making Vietnamese literature more available for the English-speaking world.

Loạt Soạt
In 'No Man River,' Dương Hướng Highlights the Raw Pain of Postwar Survival
Dương Hướng’s No Man River (Bến không chồng) was first published in 1991 and won the Vietnam Writers' Association Prize for Fiction. Translated into English by Quan Manh Ha and Charles Waugh, it captures the brutal reality of conflict in Vietnam from 1945 to 1979.

Loạt Soạt
The Fraught Human-Earth Dynamics in 'Revenge of Gaia,' a Collection of Vietnamese Eco-Fiction
Stories focusing on the natural world and humanity’s relationships with the environment existed before the term eco-literature became popular in the west in the 1970s, but since its coinage, writers and scholars have passionately debated different definitions for it along with arguments for its importance in various literary cannons.

Loạt Soạt
'Bronze Drum,' an Entertaining, TV-Ready Reimagining of the Legend of Hai Bà Trưng
Turning a beloved but brief legend based on scant historical evidence into a page-turning novel is no easy task. But Phong Nguyen’s book Bronze Drum succeeds in depicting the upbringing and rebellious triumphs of Hai Bà Trưng as a gripping epic that hits conventional storytelling beats.

Loạt Soạt
Thuận’s Novel 'Chinatown' Targets the Tedium of Migration
Vĩnh, born in Hanoi to a Vietnamese mother who studied in the Soviet Union and teaches English in France, and an ethnically Chinese father raised in Hanoi but now working in Chợ Lớn, dreams of the day when China dominates the world and he can parachute into America-occupied Iraq with the Chinese army to create another Chinatown in Baghdad. Such culture and continent-spanning details suggest extravagant thrills and intrigues, but Thuận’s Chinatown reveals the monotony endured by the diasporic individuals.