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In 'Cú Và Chim Se Sẻ,' a Director's Radical Empathy for Saigon's Less Fortunate
“They can do what they want. The city owns the zoo. They could sell all the animals here. They could turn it into a golf course. We’re just little people — you and me.”

Rewind
In 'Cú Và Chim Se Sẻ,' a Director's Radical Empathy for Saigon's Less Fortunate
“They can do what they want. The city owns the zoo. They could sell all the animals here. They could turn it into a golf course. We’re just little people — you and me.”

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How 'Hãy Đợi Đấy!' Introduced a Generation Vietnamese to Glimpses of Russian Culture
It was an ordinary Saturday summer afternoon in the late 2000s, and I was sitting in my mom’s office while waiting for her to finish her work, watching YouTube on one of the computers in the room. It wasn't just any video for kids, but a scene where a wolf downs a whole pack of cigarettes at once and blows the smoke into a locked telephone booth to try to suffocate a hare inside. That seemingly absurd scenario came from none other than Hãy Đợi Đấy! , one of my favorite cartoon shows.

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For a Horror Film About an Ageless Portrait, 'Mười' Hasn't Aged Well
It’s undeniable that Mười: The Legend of a Portrait has left a lasting impression in the minds of a generation of Vietnamese, as the first collaboration between Vietnam and South Korea’s cinema industries. Watching this contemporary classic in 2024, however, made me realize that Mười has not aged well.

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1735 Km, the 2005 Road Trip Romcom That Could Have Been
In 2005, I was in middle school. I had never had a cellphone nor known what the internet was — our home didn’t have ADSL until ninth grade. Life as a fledgling pupil in Saigon revolved around homework, catching the latest That’s So Raven episode on Disney Channel, and riding behind my dad’s back on our family motorbike every day to and from school. But something was about to change: 2005 was the year I went to the movies for the very first time.